I won't even beat around the bush, the song is Miley Cyrus' "Party in the USA..."
Yes, that's Hannah Montana.
I make this statement knowing that, in a mere month, after the inevitable airwave over-saturation, when I get my life-long fill and I can't escape it, I will be begging for the torture to stop.
Until that point, I will say it again, I like that song. It's really catchy.
The middle-brow music snob in me will not allow me to make that statement without qualifying it. What intrigues me is that in my listening, is that the song does not make me like Miley Cyrus and want to explore her work. In fact, part of my amazement is how much I like the song despite the sheer machinery invoked to alter her voice. (I watched her unadorned performance with Sheryl Crow on the VH1 Divas and felt bad... for her being so eager, so in awe of Crow, and yet so unequipped to pull off a live version of "If It Makes You Happy.")
Back to the song... I did a little poking around and discovered it was written by a guy named Lukasz Gottwald, who has also written songs for Kelly Clarkson, Pink, Avril Lavigne, and Katy Perry. What I find interesting is that I like all of these artists, despite the fact that I often consider myself older than their "target demographic." What they have in common that draws me in, appears to be this songwriter.
Which leads me to the value of a singular "voice" in the arts. Surely, this guy is somehow obligated to appeal to the particular qualities of the singer he writes for, but it's the guitar lick, the jaunty sway, the hook, that brings me in.
Monday, November 23, 2009
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